Here we are in the last week of Sepia Mutiny. On these pages as a reader, I’ve discovered some of my favorite songs and as a writer, I’ve gotten to interview some of the most amazing people. I’ve loved discovering new Desi music and examining musicians exploration of hyphenated identities through lyric, music and movement.

Since I love lists – what better way to remember this then… a Top Ten Favorite Mutinous Music Moments.

1. M.I.A.- Maya has graced the pages of our site an innumerable amount of times – 100 posts to be exact. From her first “galang”, to her so-called retirement, to a pregger M.I.A. singing at the Grammy Awards with A.R. Rahman. She was the first things that drew me as a reader to the pages of the Mutiny. In the past 8 years peoples opinions of her may have waned, but she definitely has made her mark
2. Das Racist – Despite Abhi’s first post where he made his firesauce prediction that Pizza Hut, Taco Bell was going to be a Desi fave, could we have suspected these guys would have exploded the way they did? They’ve gone from a YouTube sensation to dropping Shut Up, Dude & Sit Down, Man & Relax to selling out shows as an international music sensation. But by far, PhillyGrrl’s interviews Part 1 & Part 2 were my most favorite interviews to grace these pages.
3. Vijay Iyer – He’s gone from Still Life with Commentator in 2006 to the #1 Jazz Album of the year IN 2010 for Historicity. Sugi’s interview with Vijay is one of the sweetest interviews Part 1 & Part 2.
4. The Kominas – Who would have known when I first blogged about these guys in 2006, that my life as a blogger would get so intimately intertwined w/ this band and the taqwacore scene? My first interview with Basim Usmani goes down as one of my favorites. Following the growth if this band personally has been epic to say the least, whether following them on cross country TaqwaTour or as my “camera crew” at Sundance for my Aamir Khan interview. Epic, indeed.
5. DJ Rekha – the infamous and legendary, we’ve talked about Rekha since she smacked Daler Mehndi down. Whether Basement Bhangra (dance party AND CD) or DJing at the White House Easter Egg Hunt. There’s a reason why she’s one of my Desi Women of the Decade.
6. Mandeep Sethi – He came aisee taisee out of nowhere and is a hip hop artist, filmmaker, producer, South Asian musical networker collaborating w/ everyone and is now in India establishing the first Indian B-Boy crew, SlumGods. All before hitting the age of 24, of course.
7. Sikh Knowledge – A queer Canadian Sikh dancehall beat-making MC and producer, my interview with him is one of my proudest SM moments. Baas.
8. Goldspot – These alterna pop boys have been on our pages and a Phillygrrl and Abhi favorite, from 2006 to the 2011 KCRW live performance. A golden find.
9. Red Baraat – A baraat brass band? When I first met Brooklynwallah and heard about his band, I never suspected I’d become as big of a fan of it as I did. The interview w/ Sonny and Sunny made me want to Chaal, Baby.
10. Penn Masala – The longest running Desi A Capella group from UPenn, they have been training generations of swooners and it even landed then in the White House. 

So there you have it – my top favorite musical moments of Sepia Mutiny, though there are many more interviews I conducted that I wish I could have included in this list. But these are just my personal faves – I’m sure you all must have your favorites too! Drop them in the comments. It has been an absolute pleasure finding music for the mutiny.

…a member of M.I.A.’s camp, speaking Sunday night from the Super Bowl host city of Indianapolis, said M.I.A. was struck with “a case of adrenaline.” “She wasn’t thinking,” said the source, who requested anonymity but was with the artist at Lucas Oil Stadium. “It wasn’t any kind of statement. She was caught in the moment and she’s incredibly sorry.” [link]

So, it wasn’t a political statement – she was caught in the moment. She has yet to issue an actual apology. The song itself, as I mentioned before, is pretty lame and a brown middle finger was the highlight of that tune. The full SuperBowl halftime show was, on the other hand, pretty awe inducing.

As for M.I.A. and her brown finger. Well, everyone is stumbling to point the blame finger at someone else.

NBC has apologized for airing footage of M.I.A. flipping off the cameras while delivering the line “I don’t give a shit” during Madonna‘s Super Bowl halftime show. “The NFL hired the talent and produced the halftime show,” NBC said in a statement to the Hollywood Reporter. “Our system was late to obscure the inappropriate gesture and we apologize to our viewers.”

The NFL have also issued an apology for the incident, but placed the blame on NBC’s censors. “There was a failure in NBC’s delay system,” spokesman Brian McCarthy said in a statement. “The obscene gesture in the performance was completely inappropriate, very disappointing, and we apologize to our fans.” [link]

How bad was it? Compared to Janet Jackson’s flash or the controversial kiss between Madonna and Brittany Spears, I’d say pretty insignificant. And compared to the misogynistic SuperBowl commercials, I’d say it was refreshing to have M.I.A.’s rebellious voice (finger?) heard (seen?). I like what Sasha had to say about it:

Fine, it may not be legal to flip the bird on television, but that’s simply a remnant of the fifties we haven’t shaken. Unless somebody was handing out Xanax with the foam fingers, Lucas Oil Stadium was ringing with the music of profanities last night. More to the point, television viewers were submitted to ad after ad that likened women—negatively—to sofas, cars, and candy. Mr. Winter didn’t have anything to say about that, so I’d like to raise both of my middle fingers to him and anyone who thinks profanity is somehow more harmful to our children than images of violence and misogyny. [link]

M.I.A. Flipping the Camera and Back Up Dancers with Their Crotches Up

The song is great, but I absolutely LOVE this video – if only because I can imagine Saudi women blasting this rebellious song as they drive unlawfully through the desert. The stunts are pretty legit and gritty without the Hollywood flair too. I feel as if “Bad Girls” skips over Vicki Leex mixtape and goes back to the world orientalist flavor of the Kala days of M.I.A.. I loved the Kala days.

The video, directed by Romain Gavras (see: M.I.A.’s “Born Free”) was shot in Ouarzazate, Morocco, and premiered exclusively on VICE’s new music channel Noisey. The short features daring car stunts that had M.I.A. terrified the entire time.[huffpost]

“It was dope to have so many people from so many different backgrounds speaking so many different languages come together to create something that we believed in,” says M.I.A about the video. “I thought I was gonna die on the shoot when I saw the drifting.  It was a four day shoot so everyone was on edge the whole time specifically ME when I had to do bluesteel singing to the camera while the cars did doughnuts on the wet road ten feet away. In my mind I was thinking how I was gonna deliver the video to Vice with no legs.” [bizjournals]

But, yo… this track that just premiered with Madonna and Nicki Minaj though leaves a bad taste in my mouth. They dress Nicki and MIA to be cheerleaders and give them a two line rap? And what’s with the blonde wigs to make them look like Madonna/Marilyn? Oh so bad. Video after the jump.

So what do you think? Is this M.I.A.’s swansong or a comeback?