Thanks, y’all, for having me over one last time. I’ve already said my goodbyes. This curious form of public performance brought me some of the people I cherish most. It’s been a second education in the erudition of the comments. The Mutiny was alt.culture.us.asian-indian before and @allyousmartf-ers now, and this delicious salon will continue in another face.

I want to toss in one last thought. Early desi American artists began with the idea of marginalization. Their references were specific and elaborate in-jokes. But look at who’s blown up: those who gave no ground in their conception of themselves. They dabbled in the desi palette because it’s rich, not because it’s definitive. Those who started with I am a Queens rapper, or I am an art director, or I am an animator, experienced brownness not as conscription, but freedom.

And in fact it is. It is a thin layer atop a deep commonality. As a species we are, when you zoom out, genetically almost clones. The differences we draw among us are like the fictional Indiana town of Pawnee squabbling with the fictional town of Eagleton: from the outside, all look same.

A couple of years ago I was watching Aziz Ansari make silly jokes at a small NYC club about hitting on MIA in bad Tamil. Today he’s touring in a 007 tux. Still bemoaning his sex life, but on a much bigger stage. Sepia is one of our colors, one near and dear. But it is only one. Let’s launch our flicks, ebooks, startups, campaigns. Let’s let our freak flags fly.

Can’t wait to see it all, and unlike Bill, I will inhale.

—Manish

Hi, everyone. For the last few years I’ve been pretty much fulltime over at our twitter franchise, one of a few people trying to make sure you get all your savory brownness in an 140 character packet. As a result, I’m afraid I’m a bit rusty at this longer-form blogging.

But the truth is, as my exes can attest, I’ve never been any good at final goodbyes. I even skipped the funeral of a close friend because I couldn’t stand the finality involved in watching him get cremated, even though I knew he was already gone. But I’m afraid there’s no way to skip your own wake, and once you’re there, you might as well try to deliver a eulogy, awkward as it is.

Part of the problem is that Sepia was never just one thing, it was many. There were the blog posts, but that was just the tip of the iceberg, the part you could see. There was also everything that happened out of view, so many stories that I don’t think any one of us knows them all.

Fun fact: VH-1 once considered a “Behind the Blogging” special on Sepia Mutiny, but decided the truth (replete with biting off the heads of live bats) was too bizarre to be believed. That, and MTV-Iggy said “I’ll cut you, VH-1, Sepia is my bitch! Don’t you go near it!”

The other part of the invisible sepia, the spirit rather than the body, of course, was you all. This is what we never could have forseen when we started the blog, just four guys and one girl, all plugged into a group chat session on (gasp) AOL chat, that such a giant community would spring up around the blog, that people would continue the connections they formed in the comments and continue them, both online and offline, elsewhere. This was both our greatest triumph and our undoing.

Like any club, once we became popular, we lost some of the attributes that made us a hip watering hole in the first place. The comment section changed. We spent too much time and energy policing comments, and even so, it was impossible to maintain the vibe that first brought people here. Plus, as Facebook grew stronger, people simply took their conversations elsewhere, into private spaces.

That’s fine though. Eight years is a good run, longer than most sitcoms, the entire possible lifetime of a Presidential administration, and far longer than I thought we had any possibility of surviving.

We certainly had no idea what we were creating at the time, how many people we would touch, how it would affect each of us, and how, in the end, it would gently unravel. It’s hard to believe all the things that we achieved, as well as all the things that happened that I still cannot tell you about.

I could show you a slow montage of our greatest moments, all slung together in the standard narrative of the rise and fall of a rock-and-roll band, but that would be bullshit. Sepia was never about the commercial, the slick, the neatly manufactured. At our best we were messy, fractious, incoherent, and full of life.

My most famous post, Straight eye for the guerilla guy, could have used a good deal more polishing and refinement. Yet that didn’t stop it from being widely pirated and going viral, in the sincerest form of flattery.

So this, post #539, is my messy, poorly written, farewell and love letter to Sepia, both official and invisible, singular and plural, inside and out.

(Most likely, we’ll keep tweeting from @sepiamutiny for a little while longer, sort of the way the body of a chicken keeps running around, long after the head has been cut off. After that, you can catch me at my new twitter handle @ennismutinywale, and the rest of the crew at their twitter handles and personal blogs in turn.)

Check out his video for “Guttersnipe,” his sultry voice set along a snapshot of “life along the Indian railways,” after the jump.

Here we are in the last week of Sepia Mutiny. On these pages as a reader, I’ve discovered some of my favorite songs and as a writer, I’ve gotten to interview some of the most amazing people. I’ve loved discovering new Desi music and examining musicians exploration of hyphenated identities through lyric, music and movement.

Since I love lists – what better way to remember this then… a Top Ten Favorite Mutinous Music Moments.

1. M.I.A.- Maya has graced the pages of our site an innumerable amount of times – 100 posts to be exact. From her first “galang”, to her so-called retirement, to a pregger M.I.A. singing at the Grammy Awards with A.R. Rahman. She was the first things that drew me as a reader to the pages of the Mutiny. In the past 8 years peoples opinions of her may have waned, but she definitely has made her mark
2. Das Racist – Despite Abhi’s first post where he made his firesauce prediction that Pizza Hut, Taco Bell was going to be a Desi fave, could we have suspected these guys would have exploded the way they did? They’ve gone from a YouTube sensation to dropping Shut Up, Dude & Sit Down, Man & Relax to selling out shows as an international music sensation. But by far, PhillyGrrl’s interviews Part 1 & Part 2 were my most favorite interviews to grace these pages.
3. Vijay Iyer – He’s gone from Still Life with Commentator in 2006 to the #1 Jazz Album of the year IN 2010 for Historicity. Sugi’s interview with Vijay is one of the sweetest interviews Part 1 & Part 2.
4. The Kominas – Who would have known when I first blogged about these guys in 2006, that my life as a blogger would get so intimately intertwined w/ this band and the taqwacore scene? My first interview with Basim Usmani goes down as one of my favorites. Following the growth if this band personally has been epic to say the least, whether following them on cross country TaqwaTour or as my “camera crew” at Sundance for my Aamir Khan interview. Epic, indeed.
5. DJ Rekha – the infamous and legendary, we’ve talked about Rekha since she smacked Daler Mehndi down. Whether Basement Bhangra (dance party AND CD) or DJing at the White House Easter Egg Hunt. There’s a reason why she’s one of my Desi Women of the Decade.
6. Mandeep Sethi – He came aisee taisee out of nowhere and is a hip hop artist, filmmaker, producer, South Asian musical networker collaborating w/ everyone and is now in India establishing the first Indian B-Boy crew, SlumGods. All before hitting the age of 24, of course.
7. Sikh Knowledge – A queer Canadian Sikh dancehall beat-making MC and producer, my interview with him is one of my proudest SM moments. Baas.
8. Goldspot – These alterna pop boys have been on our pages and a Phillygrrl and Abhi favorite, from 2006 to the 2011 KCRW live performance. A golden find.
9. Red Baraat – A baraat brass band? When I first met Brooklynwallah and heard about his band, I never suspected I’d become as big of a fan of it as I did. The interview w/ Sonny and Sunny made me want to Chaal, Baby.
10. Penn Masala – The longest running Desi A Capella group from UPenn, they have been training generations of swooners and it even landed then in the White House. 

So there you have it – my top favorite musical moments of Sepia Mutiny, though there are many more interviews I conducted that I wish I could have included in this list. But these are just my personal faves – I’m sure you all must have your favorites too! Drop them in the comments. It has been an absolute pleasure finding music for the mutiny.

I remember when I first noticed this blog called Sepia Mutiny back in August 2004. Manish had linked to a blog post I had written on Jhumpa Lahiri’s The Namesake on August 9; it was one of the site’s earliest posts.

The link was notable to me for two reasons. First, I was amused that Manish would write, “I normally wouldn’t point at a piece referencing Gayatri Spivak and other jargon-filled lit academics…” Ouch, is he talking about me? (Happily, eight years later we have Himanshu Suri and Das Racist, rapping about Arundhati Roy [rhymed with, of all things, "batty boy"!], “Gaya Spivak,” and the Slovenian philosopher Zizek. Jargon is in again, if these dudes have anything to say about it.)

Second, I was a little shocked at exactly how many people seemed to be clicking through. From the beginning, Sepia Mutiny was strikingly popular, so much so that for at least a few years it was routinely rated the most popular blog in India itself. Its success was certainly due to the mix of writers, which was a very talented and energetic pool (Manish alone was routinely putting up 5 or more posts a day).  But I think the site was also clearly filling a need online for discussion of Desi themed subjects, whether political (see Abhi’s early post about Dalip Singh Saund and the Democratic party), or more entertainment oriented (Kal Penn and Harold and Kumar were mentioned in the first week as well).

Even when it wasn’t always smooth-sailing within the circle of bloggers, and even when things were difficult for me in my real life outside of the blog, what always drew me to this site was its ‘sandbox’ quality — the idea that this mix of topics and themes ought to be linked. So when Abhi writes that it may be the blog has fulfilled its purpose in part I don’t agree: many of the difficult issues regarding identity, community, and culture South Asians were dealing with in 2004 remain unresolved. But I do agree that in a way the sandbox qualilty of this kind of group blog has for me at least come to seem a little less essential and exciting than it was at the beginning.

Yes, the South Asian American community is much more established than it once was. There’s Nikki Haley and Bobby Jindal, there’s Aziz Ansari and Mindy Kaling, and there’s quite a number of first-rate writers (go Sugi!), filmmakers, and people in business, academia, and journalism. South Asian America is a big enough, and mainstream enough, world that it does seem a little forced to presume it all goes together anymore. (Though again, I don’t think that’s the same thing as saying we’re done thinking about or working on issues of identity. We’re not; I see that every day with my five year old son, as he tries to sort out his place in his school, and in American society more broadly. It looks to me like he’s going to have to go through a lot of the same stuff I went through growing up, all over again.)

At its height, from 2004 to about 2009 or so, Sepia Mutiny was the most active South Asian diaspora-oriented forum on the web. Posts on topics like M.I.A., Aishwariya Rai (aka TMBWITW), Bobby Jindal, and interracial dating would routinely draw 200, 300, sometimes even 1000 comments. And while we sometimes struggled to keep the comment threads troll-free and productive, we as bloggers could always count on interesting new voices to show up and make it feel worthwhile. Blogging on Sepia Mutiny was addictive for me (and I think not just me) during those years in large part because it was impossible not to be excited to encounter so many different perspectives and ideas.

South Asian vs. Indian. Sepia Mutiny was always somewhat divided over its function and focus. On the one hand, the directive from Abhi and the other founders was quite clear: the point was to create a space for a South Asian American perspective. The “South Asian” part was important and essential (and we had many fights, mainly with skeptical readers, about whether it wasn’t after all just an “Indian American” blog). Also important was the “American” part of the equation; Sepia Mutiny was never intended to be an “Indian subcontinent” forum.

Diaspora vs. Subcontinent. This policy of not focusing on South Asia itself was, however, always a challenge for me, since I have a deep personal and professional interest in what is happening in the subcontinent itself in terms of politics, culture, the media, and of course literature. And this past decade has been a really interesting one on all those fronts, from the debates over communalism and secularism (and we had many good arguments about those issues in the comments), to the rapid changes in the style of commercial Hindi cinema, to the debates about economic trends like outsourcing (i.e., Vinod on Obama in 2008) and globalization. Despite the blog’s stated policy of focusing exclusively on the diaspora, many of my colleagues at Sepia Mutiny joined me in posting frequently on these types of issues, leading to some very rich discussions. As I see it, the U.S. focus was a policy honored more in the breach than in the observance, and that’s a good thing.

First vs. Second/Third Generations. Another source of tension, not within the circle of Sepia Mutiny bloggers, but rather between bloggers and readers, was around generational issues. All of the original founders of the blog, I believe, were second generation Indian Americans (later Bangladeshi American, Pakistani American, and Sri Lankan American contributors would also join). However, many, if not most of the readership during the years I was involved seemed to consist of first generation immigrants (and many 1.5 generation folks — people who immigrated between age 5 and 15). This reflects the demographics of the South Asian American population — there are more first generation South Asian immigrants than second or third generation South Asian Americans in the United States. However, the fact that these readers were all interested in hearing about and talking about the same stuff underlines the commonalities between different generations of immigrants; our accents might not all be the same, but perhaps it’s not a great stretch to say that we do have some things in common.

Recent immigrants from South Asia might be interested in reading my post from 2005 about Katrina Kaif, but they might also be interested in hearing about Kal Penn, Aziz Ansari, or Padma Lakshmi. I think both bloggers and readers evolved quite a bit on this kind of issue over the years. In the beginning, first and second generation commenters used to make fun of each other as (“FOBs” or “ABCDs”, respectively), but somewhere along the line a more respectful and intelligent kind of conversation started to occur. The first generation scorn for ABCDs speaking Hindi badly started to lose its edge, while the second-generation’s dislike of the “awkward immigrant” stigma also evolved. In short, I think we all grew up, and started to appreciate and understand one another better.

My dream would have been a half diasporic, half “home” oriented blog; it was very nearly there for a little while. Luckily, there are fantastic new, highly professionalized blogs hosted by the New York Times (India Ink) and the Wall Street Journal, and they provide much of what used to be my Sepia Mutiny fix. I read them every day. And I get just a little smidgeon of what was once the excitement of the Sepia Mutiny comments on venues like Twitter (not so much, these days, from Facebook).

Finally, I should say that while the new social networking venues are helping to carry on the kinds of conversations that went on at Sepia Mutiny, they are a little lacking on some respects. For one thing, both Facebook and Twitter require super-compressed conversations. While it’s true we may have been a bit too long-winded in some blog posts over the years, I think there really is value in spelling out an idea or a perspective at some length, and then giving readers as much space as they want or need to discuss it with you. I don’t think I have ever changed my mind based on a discussion I had with someone on Twitter. But I did, often, in response to discussions on Sepia Mutiny.

I am not sure what the solution is. There’s no question that social networking is here to stay, but maybe as that ecosystem continues to evolve we can again find a space for long-form (but still immediate, and unfiltered) discussions of the issues that are on our minds.

And… I’m out.

It should be no surprise by now where the largest populations of South Asians are.  According to the report, metropolitan areas with the largest South Asian populations are New York City, Chicago, Washington DC, Los Angeles, and San Francisco-Oakland and in over the past ten years, the Washington DC metropolitan area overtook the Los Angeles metropolitan area as the area with the third largest South Asian population.

But to me what was surprising to see is where exactly the growing South Asian populations live (as seen in the map above). The South Asian population grew the most in Charlotte, NC, increasing 187% over the past ten years. This was followed by Phoenix; Richmond VA; Raleigh, NC, San Antonio, Seattle, and Stockton, CA; Jacksonville, FL; Harrisburg, PA; and Las Vegas. Among the ten fastest growing South Asian metropolitan areas, only the Seattle and Phoenix metropolitan areas had more than 30,000 South Asians in 2010, while the smallest of the top 10 fastest growing metropolitan areas was the Harrisburg, PA metropolitan area with close to 6,500 South Asians. These are all regions without a significant history of South Asian American migration and I wonder what has happened in these regions that led to such a rapid growth in these cities.

And of course, as the electoral geek of Sepia Mutiny (sorry Abhi), I was most impressed by the new data reflecting the updated voting power of the South Asian community.

• South Asians are becoming an increasingly powerful segment of the American electorate – with U.S. citizens of voting age increasing between 100% and 414% since 2000.
• The population of non-U.S. citizens of voting age has also increased since 2000. While not currently eligible to vote, this population includes green card holders who may become U.S. citizens in the future and will add to the growing electorate.

In addition to the data listed above, there are the additional counties that now have South Asian bilingual needs as reported on the APALC report I blogged about here.

• Los Angeles County, California – Asian-Indian
• Cook County, Illinois (Chicago) – Asian-Indian
• Queens County, New York – Asian-Indian
• Hamtramck City, Michigan – Bangladeshi

To me, this civic engagement data is particularly important because despite this incredible growth in voting population in the South Asian community, there still does not exist one civic engagement/electoral organization building on the power of these voters. We have South Asian candidates running for office, people donating a ton of money to them via PACs, Indian-American lobbying organizations and policy advocacy organizations. But since South Asian American Voting Youth dissolved in 2008, there hasn’t been another national organization to capitalize on this non-partisan political niche. With the 2012 elections right around the corner and such an incredible growth in South Asian voting and non-voting populations, it’s time that the community gets galvanized to build upon these numbers. And it’s time for the South Asian community to fund and support these community efforts.

Please check out the report from SAALT & AAF by clicking on this link and spread the report out to key stakeholders that will be interested in these demographic numbers. Though a great effort, I’m interested to see how else the South Asian community data disaggregated by regions will look like and what else that data will tell us, particularly around multilingual, class, and income levels. If you are working on crunching the Census data for the Desi community, please do send it my way!

Journalist and documentary filmmaker Sharmeen Obaid-Chinoy became Pakistan’s first Oscar winner last night when her film Saving Face won best documentary short.

Saving Face tells the story of two women (39-year-old Zakia and 23-year-old Rukhsana) who were severely disfigured after becoming victims of acid attacks. According to the film’s website:

Every year in Pakistan, at least 100 people are victimized by brutal acid attacks. The majority of these are women, and many more cases go unreported. With little or no access to reconstructive surgery, survivors are physically and emotionally scarred, while many reported assailants – typically a husband or someone close to the victim – are let go with minimal punishment from the state.

The film follows Dr. Mohammad Jawad, a British-Pakistani plastic surgeon who traveled back to Pakistan in order to assist Pakistan’s acid attack victims. During her acceptance speech Obaid-Chinoy dedicated the award to Dr. Jawad, Rukhasana and Zakia, and “to all the women in Pakistan who are working for change.” She added, “Don’t give up on your dreams.”

Hopefully Obaid-Chinoy’s Oscar win will mean that more people in Pakistan will have the opportunity to see the film. The filmmaker told the Wall Street Journal in November that she planned to show the film in private venues and recently told the Asia Society that “contractual restraints” prevented her from showing it to large audiences.

HBO will be broadcasting Saving Face on March 8. Mark your calendars.

But you don’t have to take my word for it – the album Feel Free is available … well, for free. So download it for free now!  

Two things I love about Spills. First, I love that he was part of an acoustic dub/hip hop duo called Two Dirty Desis. And the second is this:

For those who want to delve further into his creative mind, Feel Free Ableton session files will be available to be used in any way, shape or form on February 21, 2012. On his decision to release the Ableton files, Spills remarked:

“Honestly, I would have never even thought to give away ALL the session files… some would say a hip hop producer is only as good as his samples and synths. But that whole Internet black out thing to protest government and corporate censorship really inspired me – made me realize that we’re only as powerful as our connections to each other. So everyone should feel free to do with this project whatever they want … go nuts.”

You heard him. Go nuts!

Remember Amit Gupta? He was diagnosed with Leukimia in September 2011 and thus began the largest social media driven internet friendly bone marrow donor recruitment campaign we’ve seen to date. He has something to share today.

… After over 100 drives organized by friends, family, and strangers, celebrity call-outs, a bazillion reblogs (7000+!), tweets, and Facebook posts, press, fundraising and international drives organized by tireless friends, and a couple painful false starts, I’ve got a 10/10 matched donor! You all literally helped save my life. (And the lives of many others.) [amitgupta]

I am stunned by this good news! As we’ve blogged before, South Asians have a 1 in 20,000 chance of finding a donor match and to find a perfect match is even more of a slim chance. This is one of those circumstances that highlights how social media campaigns can turn into real life successes! Of course, Amit still has a battle ahead of him.

Tomorrow, I’ll be admitted to Dana Farber in Boston for 4-5 weeks.

First I’ll get a second Hickman line to allow direct access to my heart (for meds and for nutrients if I’m not able to eat). Over the next week, the docs blast my body with a stiff chemo cocktail to try and eradicate all traces of cancer cells. In the process, the immune system I was born with, and my body’s ability to make blood, are destroyed.

Next Friday, I get my donor’s stem cells by IV. I start on immunosuppressants to prevent my body from rejecting them (I’ll be on them for 12-18 months). For these weeks I’ve no immune system, so I’m severely vulnerable to viruses and bacteria. My hospital room and hallway become my world.

Meanwhile, the stem cells make their way to my bone marrow and, with some luck, start producing platelets, red blood cells, and white blood cells. At this point, my blood type changes to the blood type of my donor. And my blood will now have my donor’s DNA, not my own. [amitgupta]

I am reminded of Sameer who also had a 10/10 donor match – but unfortunately suffered from complications from the transfer. Amit has a tough battle ahead of him, but he has a large community that is rooting and praying for him. Good luck!

Prominent Queens-bred rapper Himanshu Suri is adding his voice to the contentious redistricting debate, joining the board of directors of SEVA, a Richmond Hill-based immigrant rights group.

Suri’s childhood friend, Ali Najmi works for SEVA and introduced him to Gurpal Singh, one of the founders of the group and also a music producer. Within two hours of meeting one another, Singh and Suri were tinkering with tracks and discussing local politics. SEVA has an “army” of volunteers, Singh said, but Suri adds some much needed star power to the organization. [link]

Himanshu is at a SEVA community meeting performing right now (Monday night). It just so happens that his solo album titled after his very popular tumblr site Nehru Jackets also just dropped online on SEVA‘s website (thx for the tip, Pardon My Hindi!). For your #MusicMonday pleasure, you can find the link to the download here.

Redistricting is a huge issue these days, particularly since the Census 2010 results are now out, we now know where communities are clustering, particularly those of common interests, race and ethnicity. By splitting up communities of color in the drawing up of new borders around precincts, you are essentially dividing the power the community holds. In SEVA‘s case, they are fighting to keep together the political voice of the immigrant largely South Asian community in Queens.

“Redistricting in New York is such an uphill battle for communities that are basically on the outside of the political establishment, so we needed something to raise awareness about the issue and that something is his celebrity status,” Mr. Najmi said of Mr. Suri. “The idea that we could release  a mixtape that was attached to a redistricting campaign was just perfect to me.” Currently, the neighborhoods of Richmond Hill, Bellerose and Floral Park are all subdivided into multiple legislative districts. SEVA wants to see each neighborhood get its own, unified district when the new lines are drawn. [politickearney]

I commend Himanshu for lending his star power for a very important issue and for joining the leadership of an organization that serves the community he came from. I’m looking forward to seeing what other collaborations this potentially creates!