Comments on: InstaReview: SAWCC’s “In a State of Emergency?” Exhibition http://sepiamutiny.com/blog/2006/11/30/instareview_saw/ All that flavorful brownness in one savory packet Sat, 30 Nov 2013 11:11:28 +0000 hourly 1 http://wordpress.org/?v=3.2.1 By: maya http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104845 maya Tue, 05 Dec 2006 16:26:58 +0000 http://sepiamutiny.com?p=3998#comment-104845 <p>Siddhartha,</p> <p>I'm sorry.</p> <p>I didn't mean to imply that you were calling the write-up gibberish. I blame my 1 a.m. writing skills.</p> <p>I did, however, mean to grumble about the general overuse of "gibberish" as a critical term--esp. by my undergrads who assume that anything they don't understand at first skim belongs in that category.</p> <p>Everyone else,</p> <p>Awesome discussion. Especialy the point about how written mediations seem to "herd us" (Ennis was that you?) towards an ideologically fashionable P.O.V.</p> Siddhartha,

I’m sorry.

I didn’t mean to imply that you were calling the write-up gibberish. I blame my 1 a.m. writing skills.

I did, however, mean to grumble about the general overuse of “gibberish” as a critical term–esp. by my undergrads who assume that anything they don’t understand at first skim belongs in that category.

Everyone else,

Awesome discussion. Especialy the point about how written mediations seem to “herd us” (Ennis was that you?) towards an ideologically fashionable P.O.V.

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By: No von Mises http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104322 No von Mises Sat, 02 Dec 2006 02:19:16 +0000 http://sepiamutiny.com?p=3998#comment-104322 <p>Where is Manju to tangentially argue for Kindleberger's hegemonic stability theory?</p> Where is Manju to tangentially argue for Kindleberger’s hegemonic stability theory?

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By: Camille http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104318 Camille Sat, 02 Dec 2006 02:03:30 +0000 http://sepiamutiny.com?p=3998#comment-104318 <blockquote>You're right that it might reflect the unconscious use of power than that its deliberate use, but it has a clear effect. For one thing, it's exclusionary.</blockquote> <p>And it's totally inaccessible by the public, which kind of defeats the purpose of public exhibitions and public art and protest art, yes?</p> <p>Maybe my arguments for covering their butts are self-reflective; I'm definitely guilty of getting all jargonistic and comfortable using language that sounds like total gobbledy-gook. Oh well.</p> <p>Also, I think music criticism is a whole different ball game. I don't know, this is always the critique of critics - if you can't do it, shut up. I just think this line of thought is stupid and exclusionary/elitist. Art - of all forms (including music) - should be for everyone.</p> You’re right that it might reflect the unconscious use of power than that its deliberate use, but it has a clear effect. For one thing, it’s exclusionary.

And it’s totally inaccessible by the public, which kind of defeats the purpose of public exhibitions and public art and protest art, yes?

Maybe my arguments for covering their butts are self-reflective; I’m definitely guilty of getting all jargonistic and comfortable using language that sounds like total gobbledy-gook. Oh well.

Also, I think music criticism is a whole different ball game. I don’t know, this is always the critique of critics – if you can’t do it, shut up. I just think this line of thought is stupid and exclusionary/elitist. Art – of all forms (including music) – should be for everyone.

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By: coach diesel http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104309 coach diesel Sat, 02 Dec 2006 01:14:41 +0000 http://sepiamutiny.com?p=3998#comment-104309 <p>VCU is in Richmond, VA.</p> <p>http://www.pubinfo.vcu.edu/artweb/Sculpture/grad.asp</p> VCU is in Richmond, VA.

http://www.pubinfo.vcu.edu/artweb/Sculpture/grad.asp

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By: Ennis http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104302 Ennis Sat, 02 Dec 2006 00:21:58 +0000 http://sepiamutiny.com?p=3998#comment-104302 <p>Where is VCA?</p> Where is VCA?

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By: coach diesel http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104269 coach diesel Fri, 01 Dec 2006 22:21:40 +0000 http://sepiamutiny.com?p=3998#comment-104269 <p>I was under the impression that art dealers were the translators trying to get you to buy the work. Then you can feel smart Ennis ;) Don't feel bad. When the hegemonic power structure is dismantled, we'll all speak like this...</p> I was under the impression that art dealers were the translators trying to get you to buy the work. Then you can feel smart Ennis ;) Don’t feel bad. When the hegemonic power structure is dismantled, we’ll all speak like this…

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By: Ennis http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104260 Ennis Fri, 01 Dec 2006 22:05:08 +0000 http://sepiamutiny.com?p=3998#comment-104260 <blockquote>The language used, though understandable, is still excessive</blockquote> <p>I need a translator! A native guide!</p> The language used, though understandable, is still excessive

I need a translator! A native guide!

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By: coach diesel http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104258 coach diesel Fri, 01 Dec 2006 21:55:27 +0000 http://sepiamutiny.com?p=3998#comment-104258 <p>I went to school with Bindu (from SAWCC exhibit). She was in grad school at VCU when I was doing an undergrad double BFA/BS. Her work back then was gorgeous tall, waxy structures more like panels than paintings. People should go and see her work -and try to talk to her. The way she spoke was much like this writing.</p> <p>I doubt she'd remember me, since we only conversed once and were in different depts. In fairness, that's the way we all were trained to talk about art, politics and everything else. I came to feel, even though I did well with it, that art was only for artists and ironically, those in charge of the hegemonic power structure.</p> <p>I don't use my BFA to make a living except to encourage kids to be able to describe what they see. You'd be surprised how much a good eye helps me in coaching.</p> I went to school with Bindu (from SAWCC exhibit). She was in grad school at VCU when I was doing an undergrad double BFA/BS. Her work back then was gorgeous tall, waxy structures more like panels than paintings. People should go and see her work -and try to talk to her. The way she spoke was much like this writing.

I doubt she’d remember me, since we only conversed once and were in different depts. In fairness, that’s the way we all were trained to talk about art, politics and everything else. I came to feel, even though I did well with it, that art was only for artists and ironically, those in charge of the hegemonic power structure.

I don’t use my BFA to make a living except to encourage kids to be able to describe what they see. You’d be surprised how much a good eye helps me in coaching.

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By: Shodan http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104246 Shodan Fri, 01 Dec 2006 20:42:19 +0000 http://sepiamutiny.com?p=3998#comment-104246 <blockquote>Trust your eye. It’s subtler and more intelligent than you might think.</blockquote> <p><b>Always.</b> Also try to get a kid’s perspective. Not always practical (hello Mapplethorpe). But they can amaze you w/ bs-free observations.</p> <blockquote>I don’t trust criticism based entirely on one’s subjective reaction (because beauty is...), and that is what popular music critics (read Down Beat and Rolling Stone).</blockquote> <p>The geniuses who gave 3 stars to Nevermind, 3.5 stars to some BS Spice Girls album, 4 stars to Dangerous. In late ‘80s, the said geniuses also carped about worrisome trend of rap’s growing popularity among R&B artists.</p> <p>Sriram, I actually enjoyed your posts. Didn’t think threadjack.</p> <p>Speaking of threadjack. Desi women of Dada. Can one call them Didi?</p> Trust your eye. It’s subtler and more intelligent than you might think.

Always. Also try to get a kidÂ’s perspective. Not always practical (hello Mapplethorpe). But they can amaze you w/ bs-free observations.

I donÂ’t trust criticism based entirely on oneÂ’s subjective reaction (because beauty is…), and that is what popular music critics (read Down Beat and Rolling Stone).

The geniuses who gave 3 stars to Nevermind, 3.5 stars to some BS Spice Girls album, 4 stars to Dangerous. In late ‘80s, the said geniuses also carped about worrisome trend of rap’s growing popularity among R&B artists.

Sriram, I actually enjoyed your posts. DidnÂ’t think threadjack.

Speaking of threadjack. Desi women of Dada. Can one call them Didi?

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By: Sriram http://sepiamutiny.com/blog/2006/11/30/instareview_saw/comment-page-1/#comment-104242 Sriram Fri, 01 Dec 2006 20:17:35 +0000 http://sepiamutiny.com?p=3998#comment-104242 <p>Apologies for the <a href="http://www.sepiamutiny.com/sepia/archives/003998.html#comment104185">threadjack.</a></p> Apologies for the threadjack.

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